I have been a fan of Amanda Somerville ever since she appeared on my radar. Mainly perceived as a background singer at first. This when starting to review Epica‘s tribulations in The Phantom Agony. Then her other talents and projects came to light. Such as the Kiske/Somerville records that have brought her some considerable fame. And here she is with her own production and début album Alloy‘of her gig ‘Trillium‘.
So, excitement reigned and I could not wait to listen to this new record. Looking at the excellent album art and some samples found on YouTube – expectations running high. But – hells bells – whilst attempting to place itself in the Gothic Metal arena (without growls, much to my relief..), Alloy really bends towards a rocky version of the Pop Metal universe (I am leaning far out the window here..). And some rehashed versions of other styles that we all heard before, trying to get in with the likes of Evanescence and such. [...]