I just came back from Germany. The terrible grime and grit of their major cities, their loveless artificial nature, the social injustice on stark display, and the unkempt even neglected swathes of real estate nobody cares about had an impact on yours truly. Metropolitan behemoths that were bombed to smithereens many a decade ago and rebuilt in but a few years.
All that sent a message to me, and it wasn’t one of encouragement. It made me angry. A rage that Torsten Hirsch, the mastermind behind Agrypnie,1 seems to share. Because, he’s hailing from exactly one of