Carach Angren – Dance and Laugh Amongst The Rotten (2017) – Review

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Carach Angren Dance and Laugh Amongst The Rotten Album CoverSometimes theatrics are just part of the show, there’s nothing else to it. Or they can be part of a band’s DNA, out of which their style and lifeblood emerges. Just look at bands like Cradle of Filth, whose works would be rated much differently, were you to judge them by the music only. Yet – as it turns out – their on-stage and on-clip performance plays an almost equally important role in their fans’ perception. And by that same token for the reviewers and critics as well.

This is something we will see more of, as the music industry evolves further, by the way. I detect this tendency towards more and better integrated multi-media productions.Got hooked? Raid this some more...

My Silent Wake – There Was Death (2018) – Review

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RockmusicRaider Review - My Silent Wake - There Was Death - Album CoverOnce desolation and doom in metal takes your fancy, you probably need to look no further than My Silent Wake. Former works like Damnatio Memoriae were already right up there with the likes of My Dying Bride and Paradise Lost. Yet, the band’s gothically tainted, painfully bleak and bare bone approach to Doom Death Metal always allowed them to carve out their own niche in this genre.

Then again – never shy of experiments – Ian Arkley launched himself into Invitiation to Imperfection in 2017. A somewhat pigheaded unplugged piece that the jury is still out for. Not unexpectedly, some off-flavors of the latter spilled into There Was Death. And this morphs this newest record into something much more controversial than other Doom Death Metal pieces currently on offer.Got hooked? Raid this some more...

Mighty Oaks – Howl (2014) – Review

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RockmusicRaider Review - Mighty Oaks - Howl - Album CoverSometimes the process of reckoning and reasoning @ RockmusicRaider is unfathomable. No rhyme nor reason seems to be apparent when it comes to record selection for the ever-important review list. The one that decides – sometimes on a whim – who’s gonna get on the blog. 

Then we sometimes enigmatically decide to cover older records first, before the new ones get a chance. Or we go for very old ones to boot; a Scorpions review just saw the light of day lately for instance. ‘Cause stubborn RMR does not listen to pop lore pundits, telling us to only cover same-year records. Or the world will stop and you will drop off. 

Mighty Oaks sailed about the RMR office suite’s mutual conscience for some time already.Got hooked? Raid this some more...