In Ruins – We Are All to Perish (2026) – Review

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In Ruins - We Are All To Perish - Album Cover

Romania. A country rich in blood-drenched counts and dark tales, wafting over from the equally somber and mysterious mountain ranges that dominate the place. Full of ominous valleys and frightening figures, such as Vlad the Impaler, commonly called Dracula. The Transylvanian region is particularly noteworthy. But you knew all that already, didn’t you? This should actually generate a ton of abjectly blackened metal. But for some reason, this crew found an ocean of tears. Yet another reflection on the dead and dying. Seems to be the year for that.


If ever there was a funeral version of Rise to the

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Dusk – Bunker (2026) – Review

Dusk - Bunker - Album Cover

Blackened, disjointed, and unsettingly smelly items already graced our review pipe in the past, no doubt. Need an example? It was only last year, to be precise. Magnadur was the act’s name, and they hit rock bottom with us not once, but twice in 2025. An anal avalanche of Synthwave-imbued pseudo metal shards to crush yer opponents. Or something. You really need to let that one sink in for a while. Utter self-destruction, because of – well – an inability to harness one’s own psychedelic ideas and turn them into something coherent.

And that’s all the more frustrating because the … [...] Click to raid more!

Domhain – In Perfect Stillness (2026) – Review

Domhain - In Perfect Stillness - Album Cover

Let’s think out of the box for a moment, shall we? I was bitching at someone lately who thought that the trve spirit of Black Metal has gone missing. And by that the commentator probably meant those early days when churches were burning and murders committed in a daemonically confused frenzy of bible studies gone astray. Well, things are a bit more complex than that.

You still got the choirboys of the underworld, such as Darkend or Corpus Diavolis that blatantly indulge in tall tales contained in dusty, old books concocted by – someone in the annals of time. And … [...] Click to raid more!

Greyhawk – Warriors of Greyhawk (2026) – Review

Oh gawd, the RMR crew had Greyhawk down as some funky element in Heavy Metal’s wonderworld with a mean operatic streak. And what do we find? Vocalist Rev Taylor apparently left the band in 2024, the release year of their record Thunderheart. To further his, well, operatic career, they said. There you go, suspicions confirmed. The RMR crew heard some rumblings from backstage that Greyhawk‘s crew had undergone some changes. So, that’s finally put to bed conveniently.

Warriors of Greyhawk, Greyhawk succinctly called their newest Greyhawk-y hawkishness. Now, if the choice of that title doesn’t sound … [...] Click to raid more!