Cradle of Filth – Cryptoriana – The Seductiveness of Decay (2017) – Review

RockmusicRaider Review - Cradle Of Filth - Cryptoriana - The Seductiveness Of Decay - Album CoverAlready the corpse paint must have cost a fortune. Or was it only cheap Photoshop? Just look at the official pictures of the Cradle of Filth crew for their newest record Cryptoriana – The Seductiveness of Decay. Impressive, ain’t it? They really knocked themselves out. And the outcome of these darkly ominous paintings fit the theme perfectly.

But now – sadly or then perhaps not – the band left the dark path of Black Metal and went full tilt Gothic Metal. Yet the band still maintains a healthy dose of galloping Heavy Metal style riffs, mixed with some Speed Metal. With a smattering of pretty sturdy Black Metal-esque antics still present nonetheless.Got hooked? Raid this some more...

Paradise Lost – Medusa (2017) – Review

RockmusicRaider Review - Paradise Lost - Medusa - Album CoverChameleons rule. Small lizards prone to sneak about trees, to look at you weirdly and change color whenever it suits them. The terror of insects of any kind – one hit of their sticky tongue and their victims are history. Well that’s the animal kingdom. But you find them not only there, but also with our brethren in Rock and Metal. Perhaps not as deadly, but for sure very capable to shed skins and change color at a moment’s notice.

Paradise Lost is one of them for sure with their newest concoction Medusa. Jumping styles like the chameleon does colors. We saw them wallow down Gothic Metal lane – as in Draconian Times (1995) or experimenting with electro-pop, synthie madness on Host (1999) and Believe in Nothing (2001).Got hooked? Raid this some more...

Eluveitie – Evocation II – Pantheon (2017) – Review

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RockmusicRaider Review - Eluveitie - Evocation II - Pantheon - Album CoverMonumental change took place within the confines of Eluveitie. Anna Murphy and her entourage (or faction, as evil tongues have it) left the band in 2016 seemingly in protest. And that meant long-time drummer Merlin Sutter and guitarist Ivo Henzi left with her to found Cellar Darling. Or – as the lore goes – Merlin got left first and the others chose to follow suit. 

Well, whatever the sequence of events may have been, fact is that the growler-in-chief had the decidedly thorny task to recruit and train a new crew. This may also explain the unusually long wait before the new album Evocation II – Pantheon saw the light of day.Got hooked? Raid this some more...