There was a time when the purists and die-hard adepts would have burned them disks on heaps of flaming plastic. Like those churches they liked to torch in Norway. We talk about those records that emanated from bands that stepped away from pure path of flaming, spiked and red-hot Black Metal. Those that reduced themselves to screamy bombast and loads of make-up. Cradle of Filth comes to mind for instance. Even if Dani Filth and his merry warriors are adamant that they are no Black Metal band no more. But still, this is pure blasphemy to the goat! … [...] Click to raid more!
Sometimes theatrics are just part of the show, there’s nothing else to it. Or they can be part of a band’s DNA, out of which their style and lifeblood emerges. Just look at bands like Cradle of Filth, whose works would be rated much differently, were you to judge them by the music only. Yet – as it turns out – their on-stage and on-clip performance plays an almost equally important role in their fans’ perception. And by that same token for the reviewers and critics as well.
This is something we will see more of, as the music … [...] Click to raid more!
The RockmusicRaider officescape likes drama. Especially a loud drama with a lot of boom and bang. And we have remarkable drama queens around the Gothic and Symphonic Metal universe, blackened and death-oriented ones included. Just think about Dimmu Borgir or Fleshgod Apocalypse to name just two of them.
Now, here we can add another one: The Swiss outfit Xaon rumbles onto the scene like Mad Max on a bad day. They already gave us a first broadside of what they can do in 2016 with their EP Face of Balaam. And they are back with a hammer blow … [...] Click to raid more!