Sidious – Blackest Insurrection (2022) – Review

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Right. This dire start into the malevolent year of the Dark Lord 2022 demands some vile and truly metallic response. The RMR crew’s mutual soul is pregnant with desire for the real thing. Deep, dark, blackened things to be precise, terrible things. Atrocities that whelped themselves in somber Scandinavian forests, summons to old daemons howled into the cold night and hardened in the hot fires of age-old churches. That is what we desire whilst the drums of war sing their terrible song to whatever dreary destination they may take us.

So, one of the sturdy pieces of that blackened series … [...] Click to raid more!

A Shadow of What Once Was, by Wolvencrown!

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Yeah, I know. We shouldn’t go back in time and work on bands that already released their wares. But here we are with Wolvencrown. Their short blurb talks about A Shadow of What Once Was. Frightening shades that are – and I quote – “…swift of foot and sharp of tooth.” From a time when their lonely island in the North Sea was still covered in primeval forests and filled with strange beasts.

Yet, it’s not the lore and mystique that drew us, but this penchant towards old-style Scandinavian Black Metal. Burzum and Gorgoroth be damned, they just … [...] Click to raid more!

Seth – La Morsure du Christ (2021) – Review

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I always wondered just how long it would take for some Black Metal outfit to turn the mother of all church burnings into a record. And no, this is not about the likes of Varg Vikernes1) who – between other atrocities – garnered some questionable fame by torching a number of spacious abodes of the nailed god.

Instead, it’s French Black Metal that – yet again – caught our attention. RMR here already covered that particular scene a number of times. Corpus Diavolis, Geisterfels, and a few others come to mind. All of them operating in that … [...] Click to raid more!

Elderblood – Achrony (2021) – Review

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We did it again. The RMR deck crew pulled a record out of the review pipe by the sheer force of the album cover. The dead body hanging from a cross positively screams blasphemy and brutality at the audience. And the photo that comes with an original size of 666 x 666 pixels coaxed yet another evil laughter out of our raw throats.

And truly so, Elderblood‘s Achrony does its first impression credit. After yet another useless intro, The Great Fire of Sacrifice leaves no doubt where this is could be leading. Down-in-the-pit, harsh, reasonably blasphemous Black Metal. Preferably, … [...] Click to raid more!