Eluveitie – Evocation II – Pantheon (2017) – Review

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RockmusicRaider Review - Eluveitie - Evocation II - Pantheon - Album CoverMonumental change took place within the confines of Eluveitie. Anna Murphy and her entourage (or faction, as evil tongues have it) left the band in 2016 seemingly in protest. And that meant long-time drummer Merlin Sutter and guitarist Ivo Henzi left with her to found Cellar Darling. Or – as the lore goes – Merlin got left first and the others chose to follow suit. 

Well, whatever the sequence of events may have been, fact is that the growler-in-chief had the decidedly thorny task to recruit and train a new crew. This may also explain the unusually long wait before the new album Evocation II – Pantheon saw the light of day.Got hooked? Raid this some more...

Eluveitie – Everything Remains (As it Never Was) (2010) – Review

[Updated and newly published version]

RockmusicRaider Review - Everything Remains (as it never was) - Album CoverThe 2010 and 4th full length album Everything Remains (As it Never Was) from the Swiss Pagan Metal band Eluveitie clearly is an improvement over the already pretty good former production Slania. And yep, I know, there was Evocation I in between. But hey, time will tell if I will review that one as well. In time.

This new record is much more melodious, but still fosters enough aggressive Melodeath underlaying its core to convince. And they deliver their tune in an improved, but still decidedly own household style and brand. On this record we can actually hear the hurdy-gurdy (hello and welcome, Anna), fiddles and the flutes.Got hooked? Raid this some more...

Darkher – Realms (2016) – Review

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RockmusicRaider Review - Darkher - Realms - Album CoverTo be #metal or not to be, ’tis the question. We are speaking about the début full length album Realms of the (almost) one-woman show Darkher aka Jayn H. Wissenberg. And it is – at first – a difficult proposition. Just to find yourself later in a doomish soundscape that clearly smacks of #metal, apart from the airy, atmospheric, almost folk-laden look and feel this album presents to you. I cannot but be reminded of Myrkur and their latest album M or the weary wails of Loreena McKennitt, both dwelling in the ethereal realm same as this one. Of course, the genres for the former and the latter are totally different.Got hooked? Raid this some more...