Cirith Ungol – Dark Parade (2023) – Review

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When Cirith Ungol returned from the happy defunct in 2020 with a new scorcher, we were torn. Forever Black had this oldish vibe, true. This metallic gene whence great Heavy Metal records spring. Yet again, at times, the piece sailed a tad too close to the age-old tropes Judas Priest and Rainbow pursued back in the ’80s. And that – with the monotonous and screamy vocal delivery – led to some discord over at the RMR review desk. But – CU‘s wares had a knack for keeping us fascinated to a point despite those annoying little elements that didn’t … [...] Click to raid more!

Félonie – De Sève et de Sang (2023) – Review

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RMR is rummaging about the metal underground yet again. And I mean some hardcore underground. Félonie‘s the name and De Sève et de Sang1 the game. Created by a one-man show that currently only sports a sparse number of followers on the band’s Facebook page and not much social media coverage at the time of writing this piece.

Félonie is one of Marc Bourban‘s2 side projects that’s solely driven by the man’s very own ideas. It appears that his other outfits Tyrmfar and Wizards of Wiznan – allegedly – didn’t quite let the creative juices flow … [...] Click to raid more!

Jordsjø – Salighet (2023) – Review

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RMR management bestowed themselves with a project. One that will – apparently – never happen. And this is to cover the best cuts of the mighty Jethro Tull. The forerunners of Progressive Rock, annoying escape artists running from the steely clutches of the guardians of ‘proper’ rock ‘n’ roll of times long past. And it’s a mighty task given that Ian Anderson’s artistic loins are so large. You’ll have trouble finding the right words – and enough time doing it.

Thus, we were mighty surprised to find some sort of clone without being one. Jordsjø‘s Salighet immediately caught our … [...] Click to raid more!

Salacious Gods – Oalevluuk (2023) – Review

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Well, by the Lightbringer’s roasted balls, that’s one long wait. Salacious Gods saw the dreary light of hell back in – 1994. Their last full-length record released in 2005. That’s a generation of waiting for – some new Black Metal. And that let the RMR review desk almost recommend this band for this year’s lamestream award series. Almost.

Because here’s to a band that stood proud more or less at the heyday of the old Scandinavian Black Metal movement. Created at a time when church burnings were rampant and Black Metal was populated by truly lost souls. But then, those … [...] Click to raid more!