Totengott – Beyond the Veil (2024) – Review

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2024 may very well turn into a new year where abject metal malevolence hits hard all over again. Seems to be a sign of the time with all that upheaval going on in the world around us.

So, here’s to Totengott from – Spain (not Germany). Starting out as a Celtic Frost cover band, they found their very own sound in some weird thrashy, doom-laden Black Metal thing. And it’s a sound that piqued the interest of the folks over at the RMR Review Desk. Which can be good – or bad, depending. And yet, magic spells galore spew forth … [...] Click to raid more!

Maere – …And The Universe Keeps Silent (2024) – Review

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The RMR crew likes itself a good piece of dissonance from time to time. And this April 2024, there are two of them on the menu. Kvadrat – in a subdued kind of way – and the German band Maere with their debut …And The Universe Keeps Silent.

Disconcerting and unsettling nuances lead down this thorny road usually reserved for trve metalheads who like to wallow in darkness and misery. In other words, the adepts of the light will simply faint once you hit play. There’s no happy note where this particular left-hand path’s acolytes are heading.

So, with … [...] Click to raid more!

Kvadrat – The Horrible Dissonance of Oblivion (2024) – Review

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The square. A magic symbol for times immemorial. An object that’s been revered not only in math but in many other mystical undercurrents that grew themselves some legs over the eons. And that’s how this band’s name – Kvadrat1 – immediately garnered some attention. And no, it wasn’t the killer artwork that made us pick up the piece this time. Much to the contrary, even if the 3D logo is kinda cool.

To define the quality of a record by the band name only would be silly, of course. From the moment The Horrible Dissonance of Oblivion struck our … [...] Click to raid more!