Azaab – Summoning the Cataclysm (2022) – Review

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There’s always ample opportunity to expand a ‘zine’s coverage. South Asia especially hasn’t seen a lot of metallic attention from the RMR crew. And it’s not for the lack of trying, of course. By long-standing policy, it does not really matter where the material originates from,1 it’s the quality that counts.

So, here we got ourselves the first band from Pakistan ever that made the cut for the RMR review pipe. You know, that list of unfathomable depths, almost as complicated and mysterious as the Vatican archives. On top of all that, the band sports a name like a … [...] Click to raid more!

Burned in Effigy – Rex Mortem (2022) – Review

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Do you know why the RMR deckhands endlessly return to metal? It’s because of the outstanding technical skills of those musicians involved. In this day and age, only this almost otherworldly sorcery on display today will really get a band anywhere. That is not to belittle other music genres, but I truly never saw this excellence thing pushed to such extremes.

One of those out-of-control examples in the metal multiverse is the Tech and Melodic Death Metal faction. 2021 allowed for a great run in its murky waters with a few absolutely wild specimens. That raises the stakes pretty … [...] Click to raid more!

To Bring To Nothing, by Gourmand!

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Are you sometimes tired of the ever similar Death Metal tropes? We are. The RMR gang often wades through a flood of much of the same muchness. Until suddenly, a bright light appears at the end of the tunnel. And we all hope that it is not the proverbial freight train.

Now luckily, the US band Gourmand sent us their latest blurb To Bring To Nothing with an interesting take on that old and somewhat tired genre. Already the band name stopped us cold. It speaks of the one that devours food, and much more than the entrails allow. That, … [...] Click to raid more!

Archspire – Bleed the Future (2021) – Review

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No more Technical Death Metal this year. That was the iron-clad directive from RMR management some months ago. And indeed, the RMR ‘zine suffered its fair share of this often overly nerdy genre in these first 10 months or so of a very long 2021.

Those findings ranged from pseudo-Nippon bloatware with benefits to what one could avidly describe as some totally savvy cosmic crossover, we got it all.1 So, the RMR pathfinders weren’t exactly keen on torturing our ear canals with more distorted sounds of that ilk.

But why did we immediately latch on to the heir apparent … [...] Click to raid more!