Rage of Light – Redemption (2021) – Review

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One of the main challenges a metal band has in this ever-growing mass of often mediocre material is to stand out and shine. Many genres have been beaten to death so many times that any use of them will resemble that proverbial dead horse. It’s a conundrum of sorts that some manage well – and others less so.

And you basically get two factions. The first is the party of the diehard traditionalists. They will doggedly stick to the basics of any given subgenre, and no matter what. And thus, they will most likely find themselves lodged in that dreaded … [...] Click to raid more!

Red Cain – Kindred: Act II (2020) – Review

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For a while, I was very worried. These bad quality sound tidbits of Red Cain‘s Kindred: Act II that I had the displeasure to find throughout 2020 sounded so Amaranthe, I almost hit a depression worse than Covid. I mean, I love the talented Elize Ryd, but the stuff this particular band struts often sounds like a hangover grown stale.

So, I was ready to sacrifice everything to the mighty Cthulhu1 only to avoid that yet another talented band would start to surf the sickeningly sweet wave of the Pop Metal mainstream. Because – you see – we … [...] Click to raid more!

Revenience – Daedalum (2016) – Review

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The wheel of the Devil. Ha! At last, I finally uncovered a means to invoke the Lightbringer, right?

But, nope. Meant by this is the Zoetrope, also called a Daedalum. A round device with slits that create the impression of moving images once actioned.

As the lore goes, the device saw the light of day in the 1800s. Patents by several crafty bastards followed quickly, all claiming glory for themselves. So, in essence, intellectual property disputes really are nothing new.

Now, the Italian band Revenenience named their debut album after the device. Early filmography in metal, that’s quite a novel … [...] Click to raid more!