Lion’s Share – Inferno (2026) – Review

Lion's Share - Inferno - Album Cover

By the mighty Gawds ov Metal, this album cover of Lion’s Share‘s Inferno here is simply atrociously bad. This blue pseudo-alien looking like a deranged shrimp1 feels so cliché that the prospect of what kind of music might be found inside this blurb here makes me shudder. And not in a good way.

That Lion’s Share already appeared on this zine in 2017 speaks for them, though. This was for a then-brand-new clip for their single, Another Desire. We reckon it will be the same track with this moniker on Inferno‘s Heavy Metal list. That’s impossible … [...] Click to raid more!

Total Maniac – Love Overdrive (2026) – Review

Total Maniac - Love Overdrive - Album Cover

We said it before, a long time ago. Never judge anything by its appearance. When the old geezers at the RMR Review Desk saw the album cover, this went as follows: ‘By the almighty Gawds ov Heavy Metal, do we really want to descend into glam’s very special hellscape?’ But little did they know that the series of somewhat somnambulant Heavy Metal pieces and other malfunctions were about to end.

2026 already features a pretty sturdy Heavy Metal diet to date. But a lot of the fare the pipe caught was kinda mediocre. Not embarrassingly bad, but more of … [...] Click to raid more!

Zepter – Zepter (2026) – Review

Zepter - Self-Titled - Album Cover

Zepter1, the band calls itself. The four-piece from Austria saw the light of day in 2024, and their vocation is – hold on to something – Heavy Metal of all genres. In the short time since 2026 came into focus, the RMR crew already covered a bunch of them, some faring better, whereas others didn’t really cut it.

The RMR crew truly has a penchant for this genre. And we will continue to cover bands, famous or not, sporting the good ol’ art of Ze Original Metal. So, this time, Zepter, the band’s self-titled shorty … [...] Click to raid more!

Saxon – Innocence is No Excuse (1985) – Review

Saxon - Innocence is no Excuse - Album Cover

Saxon‘s ’84 piece Crusader was a true disaster, a vinyl turntable torture device full of cringe and posturing. Well, it was that one, and the other unspeakable piece preceding it. Both were rightly shunned by the metal crowd back then.

Whatever took Saxon to end up in glam country will forever be beyond me. Was it the allure of the forbidden fruit that the rise of the Sunset Boulevard frenzy promised? Perhaps. Or expensive hairdressers at the top of their game?1 Or, could it be that they got the itch for some easy greenbacks to earn? Being stinking … [...] Click to raid more!