Eternal Storm – Come the Tide (2019) – Review

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Spain’s Eternal Storm are one of these bands that excel in this game of the protracted flow. Their offering somehow feels like a river of metal and not-so-metal sounds that coasts by majestically on its mid-tempo currents. Like so much metal flotsam in the remnants of a dreaded hurricane.

The band’s new record also is one of these mysteries. Multiple times I started their debut record Come The Tide for a thorough listen. And boom, the record just ended.

This made me wonder what part of this infamous reality of the matrix really failed me. Some sort of dimensional digression … [...] Click to raid more!

Insomnium – Heart Like a Grave (2019) – Review

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At first, Heart Like a Grave sounds like one of them Amon Amarth records. It is this straight-in-your-face, rumbling Death Metal that compares so well to the yonder icy tracks from the muscular and bearded ones. The only missing part is the dragonhead and the inevitable Viking longship.

So nope, this cannot be it. Instead, we – indeed – get a hefty dose of pretty stellar Insomnium. The type of Melodeath that does not take prisoners.

If you remember, Winter’s Gate already went Viking in 2016, much to the insane pleasure of the Norns. Insomnium set the bar … [...] Click to raid more!

Rogga Johansson – Entrance to the Otherwhere (2019) – Review

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It appears that the RMR deck crew took a liking to a score of them one-man-show and/or solo projects over time. But this does not really come as a surprise.

These projects often deliver music differently, somewhat off the beaten track. You need those outfits that are hungry and want to succeed on a different plane than all the other mainstream folks.

And sometimes these projects and their records just grip you and won’t let go – at first at least. And you don’t even know why that should be. It’s truly visceral in a sense.

Rogga Johansson and his … [...] Click to raid more!

Marianas Rest – Ruins (2019) – Review

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“I had a dream, which was not all a dream”!

Ruins of Marianas Rest starts with a monologue that moves you out into space. One that Carach Angren could not have done better. And – truly – the tune and story also keep you hostage to all sorts of horrors.

Only here, we have troubles of the mind that are at stake. Internalized terrors that somehow surface, when you least expect them. And not miscellaneous war crimes, or other horrifying dark urges.

But first and foremost, my question was: Where in Hel’s name do these solemnly marching metal sounds [...] Click to raid more!