Final Coil – The World We Inherited (2024) – Review

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Transition. That’s what comes to mind once you fire up Final Coil‘s new chapter The World We Inherited. You see, their 2019 piece The World We Left Behind for Others never quite made it through boot camp here. A heavy listen, relatively rough-hewn, and often a bit frazzled around the edges.

Yet here, you get the increased power of a dronish version of Gojira on steroids, a new-found heaviness, and increased refinements that weren’t quite there before. And as the latter navigate the treacherous waters of environmental issues, the band around Phil Stiles raise the specter of a … [...] Click to raid more!

Haken – Fauna (2023) – Review

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Somebody famously opined that Haken‘s Fauna somehow flew under the radar for many reviewers in 2023. And there may be some truth to this. Or is there?

After masterpieces like Virus that made it straight to the top of our 2020 Top 10 or sturdy records like The Mountain with their Cockroach King, it will be a difficult climb for any new piece to reach those lofty heights. And I daresay, these olde albums still resonate with the RMR crew to this day.

Also, Haken here were called out for being an abject djent machine and should thus … [...] Click to raid more!

Blame Zeus – Laudanum (2023) – Review

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When Seethe bubbled up the review pipe, we were fascinated. This was some refreshing new piece of rock that had energy to spare. A still somewhat local band from Portugal finally raised its mighty voice and – blamed Zeus for it. And thinking about it, he pretty much got to carry the hat for everything if I remember that correctly.

This was some red-hot rocky fare that proudly sailed on the mighty pipes of one Sandra Oliveira. But once 2019 petered out, Blame Zeus pretty much disappeared from view. Even if Oliveira made a guest appearance on the late … [...] Click to raid more!

Jordsjø – Salighet (2023) – Review

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RMR management bestowed themselves with a project. One that will – apparently – never happen. And this is to cover the best cuts of the mighty Jethro Tull. The forerunners of Progressive Rock, annoying escape artists running from the steely clutches of the guardians of ‘proper’ rock ‘n’ roll of times long past. And it’s a mighty task given that Ian Anderson’s artistic loins are so large. You’ll have trouble finding the right words – and enough time doing it.

Thus, we were mighty surprised to find some sort of clone without being one. Jordsjø‘s Salighet immediately caught our … [...] Click to raid more!