Eluveitie – Everything Remains (As it Never Was) (2010) – Review

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The 2010 studio album Everything Remains (As it Never Was) from the Swiss Pagan Metal band Eluveitie clearly proved to be an improvement over the already pretty good former production Slania. And yes, I know, there was Evocation I in between. But this one doesn’t really count, it’s an unplugged piece far away from metal.

Now, this new record is much more melodious but still fosters enough aggressive Melodic Death Metal at its core to convince. And they deliver their tune in an improved, but still decidedly own household style and brand. This time, we can actually hear Anna [...] Click to raid more!

Eluveitie – Helvetios (2012) – Review

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Oh, Helvetian Ones, we salute you! You just have to love the drummer on steroids that the Swiss band Eluveitie1 employs. This guy seems to work himself from one frenzy to another on his drums. But then, ’tis the drummer’s fate on fast-moving metal pieces, right?

Helvetios yet again combines modern-day and archaic instruments into a savvy mix of red-hot Melodic Death Metal and olden folk. Pagan or Folk Metal that dissolves into Chrigel Glanzmann’s heavy growls and rumbles, seconded by the angelic voice of Anna Murphy. That’s pretty tasty, ain’t it? But will this new record really … [...] Click to raid more!

Sun of the Suns – TIIT (2021) – Review

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It’s time to work on the leftovers from the Year of the Lord 2021. Those that were slated for review initially but for some reason never got enough attention. One of them is the – until recently – pretty much unknown band Sun of the Suns and their debut album TIIT.

And who ever said that we won’t be covering those joint Deathcore pieces anymore? The ones that gurgle themselves through a tasty Death Metal repertoire when they’re not busy ripping everyone a new butthole with their ‘core activities.

TIIT kinda lurked around our backstage area for the better … [...] Click to raid more!

Apostle of Solitude – Until The Darkness Goes (2021) – Review

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The RMR crew here wasn’t all that impressed with the doom soundscape over the last few years. Lighthouses like Pallbearer or – again – Khemmis lost their bite somewhat. To the point that their latest releases found themselves in that dreaded oubliette and not on the RMR review pipe where they should be.

There have been old-style doomsters like Pale Divine that got in our good graces more or less. Whereas others clearly did not. Yet, in 2021, we enjoyed a few pretty pristine sadboi offerings that really shook us to the core, we sobbed so hard. But still, … [...] Click to raid more!