Echelon – Secret Power (2022) – Review

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Echelon - Secret Power - Album Cover

The Trad and Heavy Metal wave is rolling again. The RMR crew discovered a few pretty cool bands – new and old – with the NWoBHM genes in their blood. That said, many of them reach far into the Power Metal realm. And that’s fine, boundaries are fluent and even the maidens sometimes have trouble deciding which side they want to be on.

So, already the album art of Echelon‘s debut record Secret Power positively screams Power Metal. Complete with strange towers, UFOs, and the Lord of the Ages or something at the controls of the world. All of … [...] Click to raid more!

Enragement – Atrocities (2022) – Review

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Ah, we are having a distinct Death Metal fest this year, methinks. Azaab just visited these pages with a novel concept not very long ago. Yet, it wasn’t quite brutal enough to make it onto the malevolent 2022 series.1 For that we don’t need avant-garde, we need Atrocities so bad that the covers of Cannibal Corpse will seem like a kids’ cartoon. Break out yer paintbrushes.


But first, a public service announcement. If you’re looking for the intricate beauty in Enragement‘s newest record, its connection to the mysterious forces of Gaia, or its contribution to peace and love, … [...] Click to raid more!

Et Moriemur – Tamashii No Yama (2022) – Review

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Some bands the RMR horde covers are way out there in the left field. And it’s not because they’re bad, it’s because they don’t give a damn about styles, conventions, and – seemingly – profits. They might lean a bit more this way or that, but by and large, they just do their thing.

The Czechs from Et Moriemur are one of those bands. They first appeared on our ‘zine with their 2014 piece Ex Nihilo in Nihilum to benevolent but still pretty limited applause. The RMR crew somewhat shamelessly ignored their pretty neat album Epigrammata from 2018. But their … [...] Click to raid more!

Ereb Altor – Vargtimman (2022) – Review

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Ereb Altor - Vargtimman - Album Cover

Ah, yes. The Hour of the Wolf, or more precisely, The Wolf’s Hour. Did Ereb Altor here decide to name their newest record after a ’68 horror film by Ingmar Bergman? Maybe so, or perhaps not. Well, whatever it may be, Vargtimman feels like a logical progression to its predecessor Järtecken.

The latter already sported material that was less focused on the age-old Bathory material. And it drifted more towards a somewhat atmospheric arena, away from the austere origins of the band.

Now here, the band’s new record is even more removed from its purported origins and now wedges … [...] Click to raid more!